
The Conjuring
Both films turn a family home into the centre of a crisis, but where The Conjuring builds dread through the farmhouse’s threatening spaces, Crazy, Stupid, Love. finds comedy and hurt in the domestic routines a marriage has disrupted.


Cal Weaver is living the American dream. He has a good job, a beautiful house, great children and a beautiful wife, named Emily. Cal's seemingly perfect life unravels, however, when he learns that Emily has been unfaithful and wants a divorce. Over 40 and suddenly single, Cal is adrift in the fickle world of dating. Enter, Jacob Palmer, a self-styled player who takes Cal under his wing and teaches him how to be a hit with the ladies.
A family rupture sends Cal back into the dating world, where Jacob’s lessons in confidence collide with the habits and attachments Cal can’t simply shed. The film braids awkward courtship, marriage-in-crisis drama and intersecting romantic plots, using comic reversals to ask what sincerity looks like after people have performed versions of themselves for too long.
Based on 3 anonymous aggregate taste signals.
Three titles that echo something distinctive in this one, with a quick note on the connection.

Both films turn a family home into the centre of a crisis, but where The Conjuring builds dread through the farmhouse’s threatening spaces, Crazy, Stupid, Love. finds comedy and hurt in the domestic routines a marriage has disrupted.

Both dramas follow men trying to hold onto integrity through a destabilizing ordeal: Andy’s long confinement gives The Shawshank Redemption a patient, prison-bound structure, while Crazy, Stupid, Love. moves among overlapping relationships and the everyday jol